Autoplay
Autocomplete
Previous Lesson
Complete and Continue
Singing Success 360- Church Unlimited
Intro to Technique: Technique Defined
1-01 Introduction and Objectives
1-02 Vocal Registers_v2
1-03 Additional Thoughts
1-04 Terminology Overview
1-05 Singing
1-06 Vocal Cords
Resonance Demonstration Video (2:36)
1-07 Resonance
1-08 Vocal Register
1-09 Chest Voice
1-10 Head Voice
1-11 Falsetto
1-12 Vocal Fry
1-13 Whistle Register
1-14 Mixed or Middle Voice
1-15 Whisper Register
1-16 Conclusion On Register
1-17 Break Disconnect Crack Flip
1-18 Bridge Passage Area
1-19 Connection
Larynx Position Demonstration Video (3:51)
Outer Muscles of the Larynx Explanation Video (5:41)
1-20 Larynx Voice Box
1-21 Adam's Apple
1-22 Vibrato
1-23 Staccato
1-24 Glottal Stroke
1-25 Legato
1-26 Delineation Marcato
1-27 Crescendo Dimenuendo
1-28 How This Technique Works
Soft Palate Explanation Video (1:57)
Technique 1 - Discovering Your Voice
2-01 How To Use This Program 1
2-02 Technique 1 Objectives 1
2-03 Ex 1- Humming 5 Tone Scale
2-04 Ex 1- Humming 5 Tone Scale Male Full Demo Affirmation
2-05 Ex 1- Humming 5 Tone Scale Female Full Demo Affirmation
Lip Rolls Demonstration Video (3:28)
2-06 Ex 2- Lip Rolls 5 Tone Scale
2-07 Ex 2 -Lip Rolls 5 Tone Scale Male Full Demo Affirmation
2-08 Ex 2- Lip Rolls 5 Tone Scale Female Full Demo Affirmation
2-09 Ex 3- Lip Rolls Octave Arpeggio
2-10 Ex 3- Lip Rolls Octave Arpeggio Male Full Demo Affirmation
2-11 Ex 3- Lip Rolls Octave Arpeggio Female Full Demo Affirmation
2-12 Ex 4- Tongue Trill 9 Note Scale
2-13 Ex 4- Tongue Trill 9 Note Scale Male Full Demo Affirmation
2-14 Ex 4- Tongue Trill 9 Note Scale Female Full Demo Affirmation
2-15 Ex 5- Goo Goo Goo Long Scale
2-16 Ex 5- Goo Goo Goo Long Scale Male Full Demo Affirmation
2-17 Ex 5- Goo Goo Goo Long Scale Female Full Demo Affirmation
2-18 Ex 6- Nay Nay Nay Octave Arpeggio
2-19 Ex 6- Nay Nay Nay Octave Arpeggio Male Full Demo Affirmation
2-20 Ex 6- Nay Nay Nay Octave Arpeggio Female Full Demo Affirmation
2-21 Ex 7- Warmdown Descending Slide
2-22 Conclusion 1
New Lecture
Technique 2 - Discovering High Notes
3-01 Introduction & Objectives 1
3-02 Ex 1 Humming 5 Tone Minor Scale 1
3-03 Ex 1 Humming 5 Tone Minor Scale Male Full Demo Affirmation
3-04 Ex 1 Humming 5 Tone Minor Scale Female Full Demo Affirmation
3-05 Ex 2 Lip Roll Octave Arpeggio 1
3-06 Ex 2 Lip Roll Octave Arpeggio Male Full Demo Affirmation
3-07 Ex 2 Lip Roll Octave Arpeggio Female Full Demo Affirmation
SS360 TECH 2 Video Lesson (with Shelby Rollins) (11:14)
Closed ‘B’ Demonstration Video (2:17)
3-08 Ex 3 Closed Mouth_B_Sound
3-09 Ex 3 Closed Mouth_B_Sound Male Full Demo Affirmation
3-10 Ex 3 Closed Mouth_B_Sound Female Full Demo Affirmation
3-11 Ex 4 Lip Rolls 1.5 Octave Scale
3-12 Ex 4 Lip Rolls 1.5 Octave Scale Male Full Demo Affirmation
3-13 Ex 4 Lip Rolls 1.5 Octave Scale Female Full Demo Affirmation
3-14 Ex 5 Trumpet Head Scale 1
3-15 Ex 5 Trumpet Head Scale Male Full Demo Affirmation
3-16 Ex 5 Trumpet Head Scale Female Full Demo Affirmation
3-17 Intermission...
3-18 Ex 6 Nay Nay Nay Long Scale 1
3-19 Ex 6 Nay Nay Nay Long Scale Male Full Demo Affirmation
3-20 Ex 6 Nay Nay Nay Long Scale Female Full Demo Affirmation
3-21 Ex 7 Mum Mum Mum Scale 1
3-22 Ex 7 Mum Mum Mum Scale Male Full Demo Affirmation
3-23 Ex 7 Mum Mum Mum Scale Female Full Demo Affirmation
3-24 Ex 8 Warmdown 1
3-25 Conclusion 1
Technique 3 - Discovering Vocal Power
4-01 Introduction & Objectives 1
4-02 Ex1-Hum Into Vocal Fry Descending Scale
4-03 Ex1-Hum Into Vocal Fry Descending Scale Male Full Demo Affirmation
4-04 Ex1-Hum Into Vocal Fry Descending Scale Female Full Demo Affirmation
4-05 Ex2-Low Voice-OhYeah
4-06 Ex3-Oh Vocal Fry to Chest Scale
4-07 Ex3-Oh Vocal Fry to Chest Scale Male Full Demo Affirmation
4-08 Ex3-Oh Vocal Fry to Chest Scale Female Full Demo Affirmation
4-09 Ex4-Lip Rolls Slow Tempo Rossini Scale
4-10 Ex4-Lip Rolls Slow Tempo Rossini Scale Male Full Demo Affirmation
4-11 Ex4-Lip Rolls Slow Tempo Rossini Scale Female Full Demo Affirmation
4-12 Ex5-No No No Rossini Scale
4-13 Ex5-No No No Rossini Scale Male Full Demo Affirmation
4-14 Ex5-No No No Rossini Scale Female Full Demo Affirmation
4-15 Ex6-Gug Gug Gug Octave Scale
4-16 Ex6-Gug Gug Gug Octave Scale Male Full Demo Affirmation
4-17 Ex6-Gug Gug Gug Octave Scale Female Full Demo Affirmation
4-18 Ex7-Bub Bub Bub Scale
4-19 Ex7-Bub Bub Bub Scale Male Full Demo Affirmation
4-20 Ex7-Bub Bub Bub Scale Female Full Demo Affirmation
4-21 Ex8-Warmdown
4-22 Ex8-Warmdown Scale Male Full Demo Affirmation
4-23 Ex8-Warmdown Scale Female Full Demo Affirmation
4-24 Conclusion 1
Technique 4 - Discovering The Light Voice
5-01 Introduction & Objectives 1
5-02 Ex 1 Relaxed Descending Wee 1
5-03 Ex 2 Pulling Head Voice Down 1
5-04 Ex 2 Pulling Head Voice Down Male Full Demo Affirmation
5-05 Ex 2 Pulling Head Voice Down Female Full Demo Affirmation
5-06 Ex 3 Lip Rolls on a Mixed Octave Scale 1
5-07 Ex 3 Lip Rolls on a Mixed Octave Scale Male Full Demo Affirmation
5-08 Ex 3 Lip Rolls on a Mixed Octave Scale Female Full Demo Affirmation
5-09 Ex 4 Wee Wee Wee Head Rossini Scale 1
5-10 Ex 4 Wee Wee Wee Head Rossini Scale Male Full Demo Affirmation
5-11 Ex 4 Wee Wee Wee Head Rossini Scale Female Full Demo Affirmation
5-12 Ex 5 Light Mix _ng_ sound Octave Slides 1
5-13 Ex 5 Light Mix _ng_ sound Octave Slide Male Full Demo Affirmation
5-14 Ex 5 Light Mix _ng_ sound Octave Slides Female Full Demo Affirmation
5-15 Ex 6 Goo Nu Descending Rosini Scale 1
5-16 Ex 6 Goo Nu Descending Rosini Scale Male Full Demo Affirmation
5-17 Ex 6 Goo Nu Descending Rosini Scale Female Full Demo Affirmation
5-18 Ex 7 Mum Mum Mum Descending Scale
5-19 Ex 7 Mum Mum Mum Descending Scale Male Full Demo Affirmation
5-20 Ex 7 Mum Mum Mum Descending Scale Female Full Demo Affirmation
5-21 Ex 8 Warmdown & Conclusion 1
Technique 5 - Discovering Vocal Freedom
6-01 Introduction and Objective 1
6-02 Ex 1 Voc Fry ng 9 Note Scale
6-03 Ex 1 Voc Fry ng 9 Note Scale Male Full Demo Affirmation
6-04 Ex 1 Voc Fry ng 9 Note Scale Female Full Demo Affirmation
6-05 Ex 2 Lip Roll Trumpet Rossini Scale 1
6-06 Ex 2 Lip Roll Trumpet Rossini Scale Male Full Demo Affirmation
6-07 Ex 2 Lip Roll Trumpet Rossini Scale Female Full Demo Affirmation
6-08 Ex 3 Nu Nuuh Octave Scale 1
6-09 Ex 3 Nu Nuuh Octave Scale Male Full Demo Affirmation
6-10 Ex 3 Nu Nuuh Octave Scale Female Full Demo Affirmation
6-11 Ex 4 Staccato Waltz Edge Rossini Scale
6-12 Ex 4 Staccato Waltz Edge Rossini Scale Male Full Demo Affirmation
6-13 Ex 4 Staccato Waltz Edge Rossini Scale Female Full Demo Affirmation
6-14 Ex 5 Staccato then Legato Waltz Edge Rossini Double Scale
6-15 Ex 5 Staccato then Legato Waltz Edge Rossini Double Scale Male Full Demo Affirmation
6-16 Ex 5 Staccato then Legato Waltz Edge Rossini Double Scale Female Full Demo Affirmation
6-17 Ex 6 Mmm Muh Octave Scale
6-18 Ex 6 Mmm Muh Octave Scale Male Full Demo Affirmation
6-19 Ex 6 Mmm Muh Octave Scale Female Full Demo Affirmation
6-20 Ex 7 Aah with Tongue Out Scale 1
6-21 Ex 7 Aah with Tongue Out Scale Male Full Demo Affirmation
6-22 Ex 7 Aah with Tongue Out Scale Female Full Demo Affirmation
6-23 Ex 8 Warmdown Hum 1
6-24 Conclusion 1
Technique 6 - Discovering Melody
7-01 Introduction and Objectives
7-02 Ex 1 Lip Rolls National Anthem
7-03 Ex 1 Lip Rolls National Anthem Male Version
7-04 Ex 1 Lip Rolls National Anthem Female Version
7-05 Ex 2 Melodic Scale oo and ee in Head Voice
7-06 Ex 2 Melodic Scale oo and ee in Head Voice Male Full Demo Affirmation
7-08 Ex 3 Nuh Buh Double Rossini Scale
7-07 Ex 2 Melodic Scale oo and ee in Head Voice Female Full Demo Affirmation
7-09 Ex 3 Nuh Buh Double Rossini Scale Male Full Demo Affirmation
7-11 Ex 4 My Girl
7-10 Ex 3 Nuh Buh Double Rossini Scale Female Full Demo Affirmation
7-13 Ex 4 My Girl Female Full Demo Affirmation
7-12 Ex 4 My Girl Male Full Demo Affirmation
7-14 Ex 5 We Will Rock You
7-15 Ex 5 We Will Rock You Male Full Demo Affirmation
7-18 Ex 6 I Am Not Alone Male Full Demo Affirmation
7-17 Ex 6 I Am Not Alone
7-16 Ex 5 We Will Rock You Female Full Demo Affirmation
7-19 Ex 6 I Am Not Alone Female Full Demo Affirmation
7-20 Ex 7 Melodic Warmdown
7-21 Conclusion
Technique 7 - Discovering Mastery
8-03 Ex 2 Lip Rolls or Tongue Trills on a Mixed Octave Scale
8-02 Ex 1 Lip Rolls or Tongue Trills Rossini Scale
8-05 Ex 4 Lip Rolls or Tongue Trills on a Double Mixed Octave Scale
8-06 Ex 4 Lip Rolls or Tongue Trills on a Double Mixed Octave Scale Male Full Demo Affirmation
8-07 Ex 4 Lip Rolls or Tongue Trills on a Double Mixed Octave Scale Female Full Demo Affirmation
8-10 Ex 7 Sustained oo to oh Arpeggio
8-11 Ex 8 Sustained ee to ay Arpeggio
8-09 Ex 6 Sustained ee to ih Arpeggio
8-12 Ex 8 Your Turn Explanation
8-08 Ex 5 Sustained oo to uuh Arpeggio
8-14 Ex 5,6,7,and 8 Vowel Patterns Female Version Piano Scale
8-13 Ex 5,6,7 and 8 Vowel Patterns Male Version Piano Scale
8-15 Ex 9 Opening of Vowel Patterns from Narrow to Broad
8-16 Ex 9 Vowel Patterns 1,2,3 and 4 Male Version Piano Scale
8-17 Ex 9 Vowel Patterns 1,2,3 and 4 Female Version Piano Scale
8-01 Introduction and Objectives
8-04 Ex 3 Lip Rolls or Tongue Trills on a 3 Octave Scale
8-18 Congratulations
Introduction to Style: Style Defined
1-01 Introduction and Defintion of Style
1-02 Trills Licks and Runs
1-03 Pronunciation
1-04 Attitude or Vibe
1-05 Scoops or Slides
1-06 Note Bend or Note Bounce
1-07 Vowel Bend
1-08 Falsetto
1-09 Classical Genre
1-10 Classical Genre Male Demo
1-11 Classical Genre Female Demo
1-12 Musical Theater Genre
1-13 Musical Theater Genre Male Demo
1-14 Musical Theater Genre Female Demo
1-15 Folk Genre
1-16 Folk Genre Male Demo
1-17 Folk Genre Female Demo
1-18 Pop Genre
1-19 Pop Genre Male Demo
1-20 Pop Genre Female Demo
1-21 Country Genre
1-22 Country Genre Male Demo
1-23 Country Genre Female Demo
1-24 Blues Genre
1-25 Blues Genre Male Demo
1-26 Blues Genre Female Demo
1-27 Jazz Genre
1-28 Jazz Genre Male Demo
1-29 Jazz Genre Female Demo
1-30 Gospel Genre
1-31 Gospel Genre Male Demo
1-32 Gospel Genre Female Demo
1-33 R&B Genre
1-34 R&B Genre Male Demo
1-35 R&B Genre Female Demo
1-36 Rock Genre
1-37 Rock Genre Male Demo
1-38 Rock Genre Female Demo
1-39 Conclusion
Style 1 - Discovering Basic Licks, Trills, & Runs
2-01 Introduction & Objectives 2
2-02 Ex 1 Note Delineation Up a Whole Step 1
2-03 Ex 1 Note Delineation Up a Whole Step Male Full Demo
2-04 Ex 1 Note Delineation Up a Whole Step Female Full Demo
2-05 Ex 2 Note Delineation Down a Whole Step 1
2-06 Ex 2 Note Delineation Down a Whole Step Male Full Demo
2-07 Ex 2 Note Delineation Down a Whole Step Female Full Demo
2-08 Ex 3 Note Delineation Up a Half Step 1
2-09 Ex 3 Note Delineation Up a Half Step Male Full Demo
2-10 Ex 3 Note Delineation Up a Half Step Female Full Demo
2-11 Ex 4 Note Delineation Down a Half Step 1
2-12 Ex 4 Note Delineation Down a Half Step Male Full Demo
2-13 Ex 4 Note Delineation Down a Half Step Female Full Demo
2-14 Ex 5 Same Note (Unison) Delineation 1
2-15 Ex 5 Same Note (Unison) Delineation Male Full Demo
2-16 Ex 5 Same Note (Unison) Delineation Female Full Demo
2-17 Ex 6 Downward Triplet Trill on Ooh Oh Ah 1
2-18 Ex 6 Downward Triplet Trill on Ooh Oh Ah Male Full Demo
2-19 Ex 6 Downward Triplet Trill on Ooh Oh Ah Female Full Demo
2-20 Ex 7 Upward Triplet Trill on Ooh Oh Ah 1
2-21 Ex 7 Upward Triplet Trill on Ooh Oh Ah Male Full Demo
2-22 Ex 7 Upward Triplet Trill on Ooh Oh Ah Female Full Demo
2-23 Ex 8 Descending Triplets Slow to Fast Tempo 1
2-24 Ex 8 Descending Triplets Slow to Fast Tempo Male Full Demo
2-25 Ex 8 Descending Triplets Slow to Fast Tempo Female Full Demo
2-26 Ex 9 Ascending Triplets Slow to Fast Tempo 1
2-27 Ex 9 Ascending Triplets Slow to Fast Tempo Male Full Demo
2-28 Ex 9 Ascending Triplets Slow to Fast Tempo Female Full Demo
2-29 Ex 10 Oh to oo Bagpipe Groove Triplets 1
2-30 Ex 10 Oh to oo Bagpipe Groove Triplets Male Full Demo
2-31 Ex 10 Oh to oo Bagpipe Groove Triplets Female Full Demo
2-32 Conclusion 1
Style 2 - Discovering Advanced Licks, Trills, & Runs
3-01 Introduction and Objectives 1
3-02 Ex 1 Warmup with Trills 1
3-03 Ex 1 Warmup with Trills Male Full Demo
3-04 Ex 1 Warmup with Trills Female Full Demo
3-05 Ex 2 Major Pentatonic Pattern 1
3-06 Ex 2 Major Pentatonic Pattern Male Full Demo
3-07 Ex 2 Major Pentatonic Pattern Female Full Demo
3-08 Ex 3 Minor Pentatonic Pattern 1
3-09 Ex 3 Minor Pentatonic Pattern Male Full Demo
3-10 Ex 3 Minor Pentatonic Pattern Female Full Demo
3-11 Ex 4 Minor Pentatonic Pattern Over Major Chords 1
3-12 Ex 4 Minor Pentatonic Pattern Over Major Chords Male Full Demo
3-13 Ex 4 Minor Pentatonic Pattern Over Major Chords Female Full Demo
3-14 Ex 5 Harmonic Minor Run 1
3-15 Ex 5 Harmonic Minor Run Male Full Demo
3-16 Ex 5 Harmonic Minor Run Female Full Demo
3-17 Ex 6 Note Bend Up and Triplet Down then Note Bend Down and Triplet Up 1
3-18 Ex 6 Note Bend Up and Triplet Down then Note Bend Down and Triplet Up Male Full Demo
3-19 Ex 6 Note Bend Up and Triplet Down then Note Bend Down and Triplet Up Female Full Demo
3-20 Ex 7 Upward Pentatonic then Descending Chromatic Scale 1
3-21 Ex 7 Upward Pentatonic then Descending Chromatic Scale Male Full Demo
3-22 Ex 7 Faster Upward Pentatonic then Descending Chromatic Scale Advanced Male Full Demo
3-23 Ex 7 Upward Pentatonic then Descending Chromatic Scale Female Full Demo
3-24 Ex 7 Faster Upward Pentatonic then Descending Chromatic Scale Advanced Female Full Demo
3-25 Conclusion 1
Style 3 - Discovering Your Sound
4-01 Introduction and Objectives
4-02 Ex 1 Vocal Texture From Breathy to Edgy
4-03 Ex 1 Vocal Texture From Breathy to Edgy Male Demo
4-04 Ex 1 Vocal Texture From Breathy to Edgy Female Demo
4-05 Ex 1 Buh and Vuh Variation
4-06 Ex 1 Buh and Vuh Variation Male Demo
4-07 Ex 1 Buh and Vuh Variation Female Demo
4-08 Ex 1 Instruction For Your Turn
4-09 Ex 1 Breathy to Edgy and Buh Vuh Male Version
4-10 Ex 1 Breathy to Edgy and Buh Vuh Female Version
4-11 Ex 2 Tonal Diversity Nasal to DeNasal
4-12 Ex 2 Tonal Diversity Nasal to DeNasal Male Demo
4-13 Ex 2 Tonal Diversity Nasal to DeNasal Female Demo
4-14 Ex 2 Buh and Nuh Demo Explanation
4-15 Ex 2 Buh and Nuh Male Demo
4-16 Ex 2 Buh and Nuh Female Demo
4-17 Ex 2 Instruction For Your Turn
4-18 Ex 2 Buh and Nuh Male Version
4-19 Ex 2 Buh and Nuh Female Version
4-20 Ex 3 Low vs High Larynx
4-21 Ex 3 Low vs High Larynx Male Demo
4-22 Ex 3 Low vs High Larynx Female Demo
4-23 Ex 3 Instruction For Your Turn
4-24 Ex 3 Low vs High Larynx Male Version
4-25 Ex 3 Low vs High Larynx Female Version
4-26 Ex 4 Relaxed Falsetto
4-27 Ex 5 Nasal Falsetto
4-28 Ex 6 Clear Falsetto
4-29 Ex 7 Phrasing with or without Vibrato
4-30 Ex 7 Excessive Vibrato Explanation
4-31 Ex 7 Excessive Vibrato Male Demo
4-32 Ex 7 Excessive Vibrato Female Demo
4-33 Ex 7 No Vibrato Explanation
4-34 Ex 7 No Vibrato Male Demo
4-35 Ex 7 No Vibrato Female Demo
4-36 Ex 7 Tasteful Vibrato Male Demo
4-37 Ex 7 Tasteful Vibrato Female Demo
4-38 Ex 7 Instruction For Your Turn
4-39 Ex 7 Phrasing with and without Vibrato Male Version
4-40 Ex 7 Phrasing with and without Vibrato Female Version
4-41 Ex 8 Tasteful Use of Vibrato on Album Version of Next To You
4-42 Ex 9 Application to Different Styles
4-43 Ex 9 Pop Demo
4-44 Ex 9 Jazz Demo
4-45 Ex 9 Rock Demo
4-46 Ex 9 Pop Your Turn
4-47 Ex 9 Jazz Your Turn
4-48 Ex 9 Rock Your Turn
4-49 Conclusion
Style 4 - Discovering Stylistic Subtleties
5-01 Introduction and Objectives
5-02 Ex 1 Licks Trills & Runs
5-03 Ex 1 Licks Trills and Runs Male and Female Demos
5-04 Ex 1 Licks Trills and Runs Key of G Version
5-05 Ex 1 Licks Trills and Runs Key of D Version
5-06 Ex 2 Using Vocal Fry Glottal Strokes and Flips into Falsetto
5-07 Ex 2 Vocal Fry Glottal Strokes and Flips into Falsetto Demo
5-08 Ex 2 Vocal Fry Glottal Strokes and Flips into Falsetto Your Turn
5-09 Ex 3 Phrasing
5-10 Ex 3 Spoken Lyric Male and Female Demos
5-11 Ex 3 What to listen for in the Phrasing Demos
5-12 Ex 3 Phrasing Demo 1
5-13 Ex 3 Phrasing Demo 2
5-14 Ex 3 Phrasing Demo 3
5-15 Ex 3 Phrasing Track 1 for Your Turn
5-16 Ex 3 Phrasing Track 2 for Your Turn
5-17 Ex 3 Phrasing Track 3 for Your Turn
5-18 Ex 4 Articulation Tour
5-19 Ex 5 Applying Articulation
5-20 Ex 5 Male Demo Spoken Lyric 1
5-21 Ex 5 Male Demo Sung Lyric 1
5-22 Ex 5 Female Demo Spoken Lyric 1
5-23 Ex 5 Female Demo Sung Lyric 1
5-24 Ex 5 Male Demo Spoken Lyric 2
5-25 Ex 5 Male Demo Sung Lyric 2
5-26 Ex 5 Female Demo Spoken Lyric 2
5-27 Ex 5 Female Demo Sung Lyric 2
5-28 Ex 5 Key of E Version Your Turn
5-29 Ex 5 Key of C Version Your Turn
5-30 Ex 5 Original Demo
5-31 Conclusion
Style 5 - Discovering Musical Genres
6-01 Introduction and Objectives
6-02 Ex 1 Male Classical Demo
6-03 Ex 1 Male Classical Brett Explanation
6-04 Ex 1 Female Classical Demo
6-05 Ex 1 Female Classical Brett Explanation
6-06 Ex 1 Classical Version Your Turn
6-07 Ex 2 Male Musical Theatre Demo
6-08 Ex 2 Male Musical Theatre Brett Explanation
6-09 Ex 2 Female Musical Theatre Demo
6-10 Ex 2 Female Musical Theatre Brett Explanation
6-11 Ex 2 Male Musical Theatre Version Your Turn
6-12 Ex 2 Female Musical Theatre Version Your Turn
6-13 Ex 3 Male Folk Demo
6-14 Ex 3 Male Folk Brett Explanation
6-15 Ex 3 Female Folk Demo
6-16 Ex 3 Female Folk Brett Explanation
6-17 Ex 3 Folk Version Your Turn
6-18 Ex 4 Male Blues Demo
6-19 Ex 4 Male Blues Brett Explanation
6-20 Ex 4 Female Blues Demo
6-21 Ex 4 Female Blues Brett Explanation
6-22 Ex 4 Blues Version Your Turn
6-23 Ex 5 Male Gospel Demo
6-24 Ex 5 Male Gospel Brett Explanation
6-25 Ex 5 Female Gospel Demo
6-26 Ex 5 Female Gospel Brett Explanation
6-27 Ex 5 Male Gospel Version Your Turn
6-28 Ex 5 Female Gospel Version Your Turn
6-29 Ex 6 Male Jazz Demo
6-30 Ex 6 Male Jazz Brett Explanation
6-31 Ex 6 Female Jazz Demo
6-35 Ex 7 Male R&B Demo
6-32 Ex 6 Female Jazz Brett Explanation
6-33 Ex 6 Male Jazz Version Your Turn
6-37 Ex 7 Female R&B Demo
6-36 Ex 7 Male R&B Brett Explanation
6-38 Ex 7 Female R&B Brett Explanation
6-39 Ex 7 Male R&B Version Your Turn
6-34 Ex 6 Female Jazz Version Your Turn
6-40 Ex 7 Female R&B Version Your Turn
6-42 Ex 8 Male Country Brett Explanation
6-41 Ex 8 Male Country Demo
6-45 Ex 8 Male Country Version Your Turn
6-44 Ex 8 Female Country Brett Explanation
6-43 Ex 8 Female Country Demo
6-46 Ex 8 Female Country Version Your Turn
6-48 Ex 9 Male Rock Brett Explanation
6-47 Ex 9 Male Rock Demo
6-50 Ex 9 Female Rock Brett Explanation
6-51 Ex 9 Rock Version Your Turn
6-49 Ex 9 Female Rock Demo
6-52 Ex 10 Male Pop Demo
6-54 Ex 10 Female Pop Demo
6-53 Ex 10 Male Pop Brett Explanation
6-57 Ex 10 Female Pop Version Your Turn
6-56 Ex 10 Male Pop Version Your Turn
6-55 Ex 10 Female Pop Brett Explanation
6-58 Conclusion
Style 6 - Discovering Improvisation
7-01 Introduction and Objectives
7-02 Introduction to Left Right Brain
7-03 Left Right Brain Excercise
7-04 Introduction to Chord Progression
7-05 Y2K Pop Demo 1
7-06 Y2K Pop Demo 2
7-07 Y2K Pop Demo 3
7-08 Y2K Pop Now It's Your Turn
7-09 Pop Country Demo 1
7-10 Pop Country Demo 2
7-11 Pop Country Demo 3
7-12 Pop Country Now It's Your Turn
7-13 Old Soul Demo 1
7-14 Old Soul Demo 2
7-15 Old Soul Demo 3
7-16 Old Soul Now It's Your Turn
7-17 50's Pop Demo 1
7-18 50's Pop Demo 2
7-19 50's Pop Demo 3
7-20 50's Pop Now It's Your Turn
7-21 Traditional Country Demo 1
7-22 Traditional Country Demo 2
7-23 Traditional Country Demo 3
7-24 Traditional Country Now It's Your Turn
7-25 Conclusion
Style 7 - Discovering The X Factor
8-01 Introduction & Objectives
8-02 Audio Master Class Introduction and Warm Up
8-03 Male Pop Singer
8-04 Female Rock Singer
8-05 Male Country Singer
8-06 Female Country Singer
8-07 Conclusion
New Lecture
SS360 (Bonus Content)
Dampening of the Vocal Cords Video (4:03)
4-41 Ex 8 Tasteful Use of Vibrato on Album Version of Next To You
Lesson content locked
If you're already enrolled,
you'll need to login
.
Enroll in Course to Unlock